20 October 2012

le 20 octobre 2012

I should be working on my C├ęzanne paper for art history. 


1. From Jonathan Dodson's post over at the Resurgence:
The gospel is good news whether someone perceives it to be good to them or not. But the only reason we know is because we experience its grace-saturated goodness in our everyday lives. We know the gospel is good, not just in theory, but in the experience of suffering, parenting, dating, working, and so on....The trouble, of course, is that there are so many people who don’t know the power of the gospel like you and me. They don’t know how the gospel is good news for them.
2. 'Five Tips for Authors Who Also Happen to Be Mothers' from Sibella Giorello, an author I happen to know. 
3. And thanks to Sibella for a link to here, an article about a book and a Pringles analogy.
4. Soundtrack.

08 October 2012

le 8 octobre 2012

1. From the Wall Street Journal, this article by Camille Paglia, 'How Capitalism Can Save Art'
2. Hospitality: from David Mathis
In a progressively post-Christian society, the importance of hospitality as an evangelistic asset is growing rapidly. Increasingly, the most strategic turf on which to engage the unbelieving with the good news of Jesus may be the turf of our own homes....

The reason this is no minor biblical theme is because the streams of hospitality flow deeply from the well of God. Christians love the stranger, because we have been loved by the Father when we ourselves were strangers. Hospitality rises in its purest form when we heed Paul’s counsel, “Remember that you were at that time separated from Christ, alienated from the commonwealth of Israel and strangers to the covenants of promise, having no hope and without God in the world” (Ephesians 2:12).
In Jesus, we find ourselves now to be the enemy who has been loved, the sinner who is saved, the stranger who is welcomed. “God shows his love for us in that while we were still sinners, Christ died for us” (Romans 5:8). And welcomed strangers should be quick to learn to welcome other strangers.